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Archive for Rob Brezsny

Stendhalism

I first learned about Stendhalism when I was in Florence many years ago – in case you’ve never come across the term, it’s a diagnosable psychological syndrome where people pass out, or faint, while experiencing an excess of awe in the face of beauty.

Awe

It was named for the French poet Stendhal because purportedly he was so dazed he could barely walk while admiring the beauty of Santa Croce (apparently he wrote eloquently on the subject in his book Naples and Florence: A Journey from Milan to Reggio).

Much of our language around beauty references this beguiling aspect of her nature…  she’s ‘dazzling’, ‘stunning’; we’re ‘mesmerized’, ‘astounded’, ‘dazed’ and ‘amazed’ when we look into the open center of her mystery… 

Sometimes I think this sense of awe, or internal ‘opening’ as I experience it, is close to the very essence of beauty, of what makes something beautiful. But what is it that triggers a blow-out of the senses and an inability to contain that much pleasure, that much beauty?

In a recent conversation I learned about a variation of Stendhalism in Jerusalem – appropriately called the Jerusalem syndrome – where the body’s ‘overwhelm’ response is in reaction to the sense of awe in the presence of spiritual or religious significance.  Apparently the police are fully aware of the syndrome and know how to deal with the many cases a day they encounter from the thousands of Christian, Jewish and Muslim pilgrims who come to this destination, holy to all.

When Rob Brezsny, author of the fascinating Pronoia, reflects on Stendhalism he suggests "Proceed
cautiously as you expose yourself to the splendor that has been
invisible or unavailable to you all these years."

What do you think of all this? What if anything brings you to that place of almost unbearable awe? And how do you deal with it?

Wholeness

This morning’s Thought Leader Gathering stimulated several creative threads for me, as usual.

Conversation starter James O’Dea of IONS (The Institute of Noetic Sciences) mesmerized us with his Irish lilt telling mythological tales of decay & redemption. The one that made the strongest impression on me was of Orpheus & his ability to counter the call of the deadly sirens (which O’Dea compared with the necrophiliac lure of cultural ‘norms’ like war and greed) with the enchantment of his own poetic imagination, with love of life or biophilia.

The meaning I made of this story is that I can find solid ground in my innate love of life & my relationship with nature, that I must call on the power of my creativity to address the challenges of my life & times… and that new answers won’t be found in old forms.

One of the new forms I’m exploring here in this blog is an attempt to incorporate many different parts of my life into a comprehensive whole. This makes the Beauty Dialogues hard to categorize, I know, and I am deeply cognizant that the ‘lack of professionalism’ in doing things this way may devalue me and my work in some contexts. On the other hand this mash-up – of metaphysical inquiry, ‘private’ thought, ideas about my work and field, my art & things that inspire me, social interactions, dreams, tools, resources & references, the promotion of my own work and that of my friends – represents a new paradigm, and I think it gives a truer sense of what we are all really like than the compartmentalization of earlier, more traditional, forms did.

I can only imagine we will be seeing this integration of life and work more and more, and I’m looking forward to the new forms we’ll create together.