Most commonly an image is used to illustrate text, but in this case I think the image is the main event, and anything I could write would be secondary (click on it to see a larger version).
Is it speaking to you too? What do you hear?
Most commonly an image is used to illustrate text, but in this case I think the image is the main event, and anything I could write would be secondary (click on it to see a larger version).
Is it speaking to you too? What do you hear?
The desert is a delicate animal at this time of year. Like a snake shedding its skin it’s fragile, vulnerable, in a state of emergence.
If I were making a list of the 100 things I want to do before I die, visiting the desert in bloom would certainly be among them.
So when my friend Bridget mentioned that she goes to Anza Borrego every year around this time and suggested I might want to come with her and photograph the beauty, I jumped at the chance (Bridget is an exceptionally talented green architect and landscape designer and also a client of mine – look for an announcement of her site and blog at bridgetbrewer.com soon)!
First of all, a road trip with a girlfriend is a rare and beautiful
thing in itself, but with this particular traveling companion and this
specific destination it held the promise of being something truly
special, a gift to be embraced. Bridget not only knows the terrain and
the names of plants that live there, she loves the desert and
approaches it with the level of respect necessary to open the heart of
this potentially difficult land.
The desert is a lover that reveals herself slowly, offering her secrets only to those who will look beyond her seemingly unrewarding surface for the jewels hidden within. It’s bliss to walk out into what looks like an ocean of harsh scrub only to find a delicate bloom peeping out beneath the brush, or poking up out of a crack in the hard soil. It’s heaven to drive down a desolate-looking road only to round a corner and find a small valley of wildflowers spreading out before you like a carpet of color, all the way across to the mountains.
Camping in Bridget’s Element each night (which was surprisingly comfortable), we quickly fell into a routine of waking just before dawn when the light was just perfect for photography, and bedding down just a few hours after the sun had set. That alone had a profound effect on me, a night owl who usually can’t get to sleep before midnight and drags herself out of bed at seven so there’s time for a walk and a shower before starting work.
Not that I abandoned the night, either – the stars were so vivid I lay watching them each evening for what felt like hours, absolutely mesmerized. I haven’t seen the night through these eyes since I was a child and lived with the big sky view every day.
Spending one’s day following the quality of light in the natural cycles was utterly magical – I’ve haven’t been home 24 hours yet and already it feels like an elusive dream (there is just too much you can do at night when you have artificial light, and of course that makes it hard to wake at dawn :-). But something of the experience is still staying with me, and feels permanent – for that I am profoundly grateful.
I also learned some things when I was gone – important things. Here are a few:
❧ Getting away from your normal routine is a Good thing
❧ An open road and no agenda opens up a sense of infinite possibility; and out of this void creativity is abundant – this happens naturally, like breathing
❧ When you carry your bed with you it’s ok to get lost, even at night
❧ This world is far bigger that we are, and when we accept that reality it’s not so hard to find our place within it
There’s so much more to all this than I can write here, now – the needs of the day are calling me and I suspect the bigger adventure is to find the balance between these everyday needs and the needs of my spirit to transcend them, so that experiences like I’ve just had are integrated into my life and nestle into my very way of being. I know my health (on all levels – physical, emotional, and mental) will benefit and so will the quality of my work in the world.
I’m glad to be back and excited to see what will emerge from all this …
Saturday I went on an adventure with my friend Joan Underwood, visiting native plant nurseries and hunting for buckeye seedpods on the side of the road. We were up in Tilden Park when we were distracted by a "Pottery Sale" sign…
Joan is a potter and we are both lovers of the craft, so we gaily (and only slightly guiltily) let ourselves be temporarily swayed from our tasks to follow the sign.
I’m so glad we did. We soon found ourselves admiring the ceramic art of James Newton, which was displayed attractively throughout his house. There was a great range of dinnerware and sculptural work being shown at very reasonable prices, including pit firings, raku, and this decorative technique using maple leaves. Tim – who is also a masseur and reiki practitioner – and Joan were soon deep in pot-tech conversation, so I continued to explore until I found the charming little studio where all this beauty was created, tucked away down a flight of stairs.
I fell in love with the studio immediately, imagining myself sitting at the wheel, peacefully throwing pots and looking out on the lovely koi pond and garden right outside. It looked like one could open the glass doors in summer and be right outside for some plein air potting.
After our little detour, Joan took me to Annie’s Annuals (now I understand why it’s famous around these parts), where I was able to find the perfects plants for the little garden that leads off my own downstairs office.
They have wonderful exhibition gardens and fully-grown examples of most species so you can really see what you’re getting, and the people who work there are very knowledgeable and friendly. If you’ve never been there and live anywhere in the bay area, I highly recommend visiting this incredible resource for plants – not only natives, and only some of them annuals, knowledge, and creative inspiration.
Our day’s adventure was a little longer than we’d anticipated, but just the psychic freedom of not having to answer to anyone else for time spent was worth it in itself. And the pleasure of finding new resources and kindred spirits was, as the MasterCard commercials say, "priceless".
So, the moral of this story is to follow whatever signs cross your path if they make your heart beat faster with joy and anticipation. You just may end up with a butter-yellow bowl on your dinner table and an anagalis monelli in your garden…
The weatherman says it’s going to rain soon; my guy is making sure our garden is prepared and on my walk this morning I saw people busy re-tarring their roofs and cutting those branches precariously situated above power lines. The energy of change is loose in my world and summer’s heat has been chased into memory by the last few days’ crisp breeze.
What’s most fascinating to me about all this, though, is the light, and what is happening to it now that we’re moving into autumn.
If a year were to be superimposed on one day, this season would be the first dawning of sunset, the beginning of twilight; my favorite time of the day. The colors are intensified, and the light soft, almost swollen.
Earlier this year, during the Winter Solstice Dreaming ceremony I did with my dear friends Pele Rouge and FireHawk in the Santa Cruz mountains, I wrote this love poem to Light, which I found the other day and thought I would share with you here.
Welcome!