Image

Archive for Peter O’Toole

Oscar

This year the Oscars seemed to radiate a new, fresh energy. It was exciting to see Al Gore(‘s film crew) and Melissa Etheridge take Oscars for An Inconvenient Truth, and (even though she glowed on the day in jewel-encrusted chiffon), I found it refreshing to read Helen Mirren’s pre-Oscar disdain for the prevailing culture of Oscar Couture critique.

I really wanted  Peter O’Toole to win best actor, because I loved him in Venus (I even reviewed it here when I first saw it) and because it would feel good to send an actor of his caliber off stage with an Oscar, but then when Forest Whitaker took it, I had to change my mind. Even the swiftly-controlled moment of disappointment and resignation on O’Toole’s face did not eclipse my joy hearing Forest’s acceptance speech.

Apparently Whitaker has received a lot of criticism for his lack of verbal polish in the past, but this simple honest moment touched a vibrant chord in me. For those who missed it, the gist of what he said is that the reason he became an actor was because even as a child he believed every person has a light inside them, and he wanted the chance to connect with that light in all of us. Uttering that kind of simplicity and beauty before a billion viewers takes courage, and my heart swelled in pride for him.

Perhaps we’ve turned a corner, and our collective spirit is starting to open up in optimism for a new day. It certainly felt like that to me on Sunday night.

Venus

I watched an exquisite movie last night, part of the Mill Valley Film Festival, called Venus. It’s a British film, starring the still-gorgeous Peter O’Toole as an old man, a venerable ACtor, who falls in love (in a most stylish, tasteful & elegant way) with a slightly trashy 16 year old girl from the north of England.

The thing about this movie, which started out making me laugh and later choked me with tears, is that O’Toole, by looking at this brash young girl with eyes of beauty, makes her truly beautiful.

Beautiful film, fundamental truth.