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Archive for Story – Page 6

Storyfield

First of all, the invitation to Storyfield itself blew my mind. Sent out to visual artists, writers, photographers, filmmakers, videographers, oral storytellers, journalists, executive coaches, non-profit workers, process arts practitioners, teachers, elders, the invitation was wide and consciously went out to a broad range of age and ethnicities. The call was made for us all to consider the larger field of cultural and personal stories that determine our world view, and see what a new story might look like.

Conceived by Tom Atlee of the Co-Intelligence Institute and Peggy Holman, co-editor of The Change Handbook, Storyfield was unlike any other conference I’d ever been to. In truth it was more like a Gathering of the Tribes; the wide and diverse tribes of creative humanity engaged in Re-imagining the World.

The event was held using Open Space Technology, which is a process that holds incredible promise for interaction and open sharing of people’s passions and dreams. It also invites a certain amount of creative chaos and definitely suits extrovert personalities better than introverts. Along with the unexpected treasure that emerged, there were many shy souls that were lost in the mix and couldn’t show up at all. For future gatherings, I’d prefer to see the Open Space format tempered with other more inclusive methods like the World Café or the circle work used in Heartland Circle’s Thought Leader Gatherings.

Still, the gathering was an amazing expression of positive energy and spontaneous community building. One member of the group introduced a formula that was crucial for creating the container strong enough to hold the group together – HSL – which stands for ‘holding, seeing, and loving’ each other. This group definitely HSLed each other into being, and we emerged with a rare and powerful sense of connection and community, poised to take action in a variety of ways.

A lot of effort went into getting a diverse representation of people to attend, but of course there were big gaps – most notably a lack of Hispanic participants – and the numbers of native peoples in attendance broadly reflected the balance of native peoples whose voices are visible in the white-dominated world more generally. There were some necessary crash courses in Racism 101 offered for those of us as yet unaware of the extent of our cultural unconsciousness, and that led to some amazing openings both personally and in the group as a whole. The youth contingent was given particular status; their projects and enthusiasms championed in concrete ways. For example, one morning’s sharing of a story about one youth project that needed support raised over $1300 in $10s & $20s (plus one anonymous $500 donation) from the assembly within a few hours; approx. $300 over the amount needed.

My most memorable moments came from one young teacher whose love for her students was so palpable it made me long for that kind of unconditional care and support to be universally available to developing psyches everywhere. She was so talented and expressive herself that she blew my mind constantly. The first time I noticed there was a powerhouse in the room was when she let out a loud “BaaayOhhh!” during one of the early gatherings, explaining with a shrug and her signature smile – “that’s the sound my soul makes when I open my mouth.” Her contribution to an impromptu talent show after our last night’s feast was some of the most moving performance poetry I’ve ever seen. I would give anything to be her publisher! I hope I’ll have the opportunity to share the video we took of that night’s festivities here at some point.

She also offered one of my favorite ideas for taking the energy we’d created together forward. Her suggestion was simple – to break bread regularly with others in our communities, and afterwards invite folks to share creative expressions – to sing a song, or recite their poetry, or play a musical instrument, or do whatever they are called to do in that moment to unleash the wild heart’s imagination. My love-monkey and I have been promising ourselves to offer regular dinner salons for ages now, a place to gather in community and discuss questions that matter to all of us. Perhaps this will be the catalyst for us to actually do it.

Another powerful joy for me was in seeing a project dear to my heart proposed by a good friend, George Johnson of Entrevis, and have it take off (luckily he’s an extrovert! ☺). The project is Vision for Humanity, and it came from an idea initiated by Australian visionary Malcolm Cohan. George’s current iteration is called TellAVision and he has some fantastic plans for it. Stay tuned for more details.

Finally, but by no means least important, the gathering was held at the Shambhala Mountain Center in northern Colorado, and the land was alive with magic. There is a Tibetan Stupa built on the property that channels positive energy between the heavens and earth, and you could feel the funnel effect activating the whole property.

Stupa

It felt like we were co-creating a vortex of energy during our time together that will have effects far beyond anything we can currently image. It didn’t hurt that the entire gathering was held within sacred space – marked in the visible world by an Ojibwa pipe ceremony that began the first morning on the steps in front of the Stupa, calling our collective ancestors in to bless our work. It ‘ended’ with the two pieces of the pipe being separated after the final session, where the mantle of conference leadership was passed to a new group who will organize next year’s event.

I suspect many of you will want to be there; I know I will.

Buying Beauty

The grand Tetons riding gracefully on the horizon, all the hotels in Jackson Hole are filled with people from the three conventions and two weddings scheduled over the weekend. Being here in this moment I am aware of our intricate complicity in this surreal phenomenon, the selling and buying of beauty we call tourism.

Tetons

I can’t help but wonder how all these other people are experiencing the beauty that surrounds us – what they let in to their hearts. If nature is always so picture-perfect and one has paid so much to be there, do we take the beauty for granted? Do we forget to notice? Or is the way we notice different?

Sunset_2

And how does it compare with the ache of those bursts of beauty that arise unexpectedly?

Graffiti at Vesuvios

Graffiti Poem from the back of the bathroom door in Vesuvios, next door to the City Lights bookstore in North Beach:

Grafitti

Into Great Silence

Moment

I recently saw a film that absolutely transcended previous cinematic experience. It was called Into Great Silence, and as the name implies it was mostly silent, and close to three hours long.

It was unlike anything I have ever seen, right from the very first few frames…

Grainy old-fashioned film leisurely following snow flurries and dust motes in the cold winter light; morning in a Carthusian monastery high in the French alps; the almost imperceptible movement of the
stars across the night sky; the almost unbearable tenderness of men’s voices, singing their
prayers direct to God’s ear.

Time winds like a long, repetitive round of sound and light in this film … morning passing into day
into dusk and then night, dissolving into dawn and morning, again and again.
The seasons pass in a parade of light and shadow so slow you can barely see it move, the relentless red thread of time woven through all things.

I entered into it like I would a long meditation … my mind
chattering away at first ["What am I doing this for?" "God, this is
uncomfortable" "I’ll never sit here for 3 whole hours"] even as my body
slows and prepares to still… I slowly sink into the mesmerizing images
and sounds of the great silence on the screen, as its magic wraps itself around me and all of us in the room. We are so quiet we can hear every movement, every piece of popcorn crushing and sound from the movies next door, but our collective attention is so focused these sounds don’t distract us.

The experience is luxurious, painterly, yet never less than austere. We take the time to dwell lovingly on small details one could only be aware of when the pace is that slow… the images are almost excruciatingly beautiful and absolutely ordinary, a metal wash bowl propped against the wall, rocking slowly as water drains away. 

In the grainy film colors lose their distinction, outlines blur and particles merge dissolving into each other. As in a dream, I kept reaching in awe for my camera to record what was being revealed around me, only to be shocked to find I am in a seat watching a movie.

As part of the round of cinematic repetition, quotes in three languages kept appearing on the screen, over and over. One quote captures my attention each time, "Oh Lord, you have seduced me. And I was seduced." Every syllable strikes a chord & vibrates in my psyche.

This film seduced me with its rich thirst for silence; I wanted to surrender, like the monks, to simplicity and the raw beauty of the perfect eternal present. I was seduced by the rhythmic throb of nature’s pattern, wanting to give myself into it utterly, as if responding to the call of an insistent lover. It seduced me like the love of God had seduced those monks.

It seemed dream-like, a million miles away, but these were young men, living now, in modern times. Every now and then there would be some detail to bring that modernity home – a computer in someone’s room, or some bright packaging, a sticker on fruit. But they were living a life that was as old as time; their song books illuminated manuscripts from the 17th century, read by the light of candles; their feet treading stones that had been trod for centuries.

I was right there with them, my senses completely alive, cells toughening to withstand the cold as I knelt on the hard stone, planted the early shoots while snow still lie on the ground. I felt myself shyly expand into the warmth and joy of the short but utterly sweet summer, then let it go when the time and season changed. A year passed, and yet the flow continued; another winter, season into season, life into life, youth into age and dark into light.

When it finally ended, I wasn’t ready to go. My companion and I just sat there in the dark empty cinema, listening to the shifting scene around us, preparing to leave the silence … adapting to the current of our lives, the here and now of the Berkeley street just outside the doors … it wasn’t an easy transition, but I could sense the beauty in the silence that still remained, the eternal silence that always remains at the center of everything, and that was enough somehow.

Afterwards, talking about my experience with others, and again now writing about it, I am struck by what an amazing phenomenon it really was… far beyond anything I’ve ever experienced in a film before. It’s almost like it changed the molecular structure of my body; certainly it took my consciousness someplace I’ve never been except after many hours of meditation.

In spiritual work, they say that once you’ve ‘woken up’ you can never go back to sleep again, at least not in that completely unaware way; similarly, I believe the experience of sitting with this film for three hours can change you; if you surrender to it you’ll never be the same again.