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Archive for Design – Page 5

MacWorld

The fun for me at MacWorld this year wasn’t really the cool new tools – although there were some pretty cool new tools being shown, notably the new iPhone, Leopard and Adobe’s Creative Suite3 (none of which are being shipped for months, which I’m afraid kind of takes the edge off the excitement factor for me. Also, the new iPhone is only 8G – what are they THINKING?!!!).

I did get a big kick out of the extraordinarily complete array of
Canon lenses, all laid out in the case like a row of jewels ready for
me to try on in turn, and of course I did, effortlessly adding 3-4 to
my ‘covet madly must have now’ list. I always enjoy looking in on the free workshops, and
as usual I learned several things I didn’t know just in passing eavesdrop mode.

I couldn’t help but notice the convention-wide attention placed on
laptop chic. There were literally dozens of companies dedicated to computer charisma, including some absolutely gorgeous Italian-leather custom laptop covers from a company called case-mate, and so many varieties of bags it was hard to keep track of them.

But the most fun for me was in people-watching – the mix of ages, sizes, tech-ability and interests all sharing a mind-space like this is really inspiring. I stopped in to check
out a digital photography session where the majority of eager
students sitting in front of their shiny new 24" flat screen
monitors were 65 years of age and upwards. I couldn’t help being touched, by both the patience and
kindness of the much younger instructor-geek and the eager innocence of
the retiree-students in their enthusiasm for learning this new life-enhancing skill.

Belissimo Felissimo

One of my bibliophile friends frequents his local library’s infamous monthly book sales and distributes the inexpensive treasures he finds there as ‘prizes’ for our families’ regular Wizard games. The other night I received (for 4th place, no less) a gorgeous book that appeared to have been produced by an international group I’d not yet heard of, Felissimo.

I was initially enchanted by the beauty of the book’s design and
imagery, but almost immediately I became equally intrigued by the text,
which was presented in both English and Japanese. Here is an excerpt from the
introduction:

"All life is interdependent. No matter how proud we are of our
intellect, no matter how wonderful the civilizations we create, human
beings simply cannot live alone. Nature is the thread that binds all
lives together… we know many things. But what truly makes us happy?
At Felissimo, we have devoted ourselves to unraveling this paradox and
we have come to the conclusion that "love" is the answer. This does not
mean, simply, to love another person, but rather to embrace all life
with a deep, abiding respect."

Apparently Felissimo (which is made of two Latin words that mean
‘bliss’, & ‘with emphasis’) is a design company devoted to a ‘whole new
way of doing business’. They have a philanthropic arm, or perhaps it is more accurate to say they are an entirely philanthropically-motivated business, which supports a whole slew of creative and environmentally positive projects in an activation of their basic philosophy, which is to make a better world through applied creativity.

Bravo, Felissimo!

Design ala Pink

According to Daniel Pink’s A Whole New Mind, “Design is a classic whole-minded aptitude” and “… as more people develop a design sensibility, we’ll increasingly be able to deploy design for it’s ultimate purpose: changing the world.”

Daniel Pink’s A Whole New Mind heralds a whole new day, when the right brain skills and traits join the traditional dominion of the right brain perspective to produce a truly integrated psyche, and a healthier more balanced future. Moreover, he says this shift is imminent for a number of perfectly logical reasons.

Design is the first of six right brain skill or ‘senses’ Pink profiles in his book as important to our emerging collective future, and he seems to look at the design mind-set as a kind of super-aptitude that encompasses all the others in interesting ways. 

"Design is a classic whole-minded aptitude", Pink asserts, and "… as more people develop a design sensibility, we’ll increasingly be able to deploy design for it’s ultimate purpose: changing the world."

One of the justifications for Pink’s assertion is the inter-disciplinary skills that are essential to good design. The ability to think ‘out of the box’ and see the ‘big picture’, the ability to put yourself in other’s shoes, create meaning, and be a little whimsical that are the essence of the other right brain skills he mentions are all necessary prerequisites to the designer’s art. If you add beauty, the aesthetic aspect of design, you have an extraordinarily valuable skill that has uses far beyond the popular idea of design as decoration.

Aesthetics matter. This is becoming more and more clear. But Pink is exploring just how much they matter in a number of important settings. He quotes furniture designer Anna Castelli Ferrieri "It’s not true that what is useful is beautiful. It is what is beautiful that is useful. Beauty can improve people’s way of life and thinking", and goes on to give statistics and examples of the ways in which attention to beauty and good design can help patients get better faster, improve student test scores in public schools, change the atmosphere of fear and despair in public housing, decrease environmental pollution and effect national elections.

"To be a designer is to be an agent of change", indeed.

Connections

I was on Zaadz – an
interactive platform dedicated to fostering collective spiritual
conversation – last night and found myself wondering about the value of these forums… 

Zaadz is an innovative idea, the only public forum of its size and popularity (they’ve had a lot of media support from friends at What is Enlightenment magazine and their colleagues at Ken Wilbur’s Integral Institute). They are dedicated to ideological principles I share and have a spiritual (rather than religious) viewpoint. These alone make it worthy of my support.

If that isn’t enough, I found a wonderful new ‘design’ discussion group
there, where I was turned on to this inspiring video by industrial designer Ross Lovegrove. The video (taped at the 2006 TED conference – I’d LOVE to attend TED
one year, but haven’t yet managed to pony up the $4,400 it takes to do
so) is brilliant; absolutely inspiring and informative. Another Zaadz design post turned me on to a design blog I really liked, too, one that will excite me creatively and help inform my work in solid, practical ways.

Ideological solidarity and these kinds of creative ‘finds’ should be ample justification for my participation on forums like Zaadz, and there would be no question here if I had more ‘free’ time in my life, but as it is I’m afraid I often don’t give myself that time. This, even though I work alone and know that this kind interaction with others offers essential creative/intellectual stimulation. I clearly benefit from my engagement with these forums (including the wonderful array of relevant blogs) – why don’t I make more time for the unexpected discoveries and opportunities for conversation & connection available to me out here in cyberspace?

Perhaps because there are just SO MANY of them, and I tend to be so gluttonous in my absorbtion of information and ideas that I don’t have any sense of sobriety once I get started.

What about you? Do any of you reading this blog participate in one or more online conversations somewhere (this is a trick question since if
you respond, you are part of an online conversation! :-)? If do, how do you make the time and necessary distinctions, and what do you find truly valuable in the experience?